Best Blurays IconBest Blurays
Cast
/
Barbara Laage

Barbara Laage

1 Film

Barbara Laage

1 Included Film

Barbara Laage photo

Barbara Laage (30 July 1920 – 21 May 1988) was a French film actress who flourished in the 1950s. After fleeing Paris with her family during the German occupation in World War II , Laage returned to the city after the war and began her acting career in the Paris theater district of Montparnasse. Her first move to Hollywood was arranged by theatrical agent William Morris , founder of the William Morris Agency. She is one of several Hollywood stars of the era who would frequent the Chateau Marmont. She was the first choice for the lead role in the Orson Welles film The Lady from Shanghai , though the part was eventually awarded to Rita Hayworth.

Bed and Board poster
UHD Blu-ray
Best English-Friendly:

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Best Video:

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821 "Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

English-Friendly:

Criterion The Adventures of Antoine Doinel 4K Blu-ray set

Video:

Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master.See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821 "Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."

1 film

Privacy PolicyAbout

Made with ❤️ 📀 by vanshady